The Compounding Workbook · Hella
Hella

The diagnostic, weeks 1 to 8

The Compounding Workbook

Prepared for[Client]
Handed to[Name], Chief Executive
Date[Date]

Sample workbook. Every figure inside is illustrative, for a €100m culture-led brand. In a real engagement each one comes from your own invoices, interviews and survey.

The Compounding WorkbookContents

Contents

  1. The answer, on one page
  2. How we got to these numbers
  3. 1Your ratio
  4. 1.1 Your initiatives
  5. 1.2 Rent or own
  6. 1.3 The ratio
  7. 1.4 Kept, and worth passing on
  8. 2What's in the way
  9. 2.1 The blocker scores
  10. 2.2 What we heard
  11. 3Where to start
  12. 3.1 Your moves, by floor
  13. 3.2 Candidates for your first owned format
  14. 3.3 Our recommended first format
  15. 3.4 The case for the tour, in numbers
  16. 4Recommended next steps
  17. AAppendix
  18. A1 The ledger
  19. A2 Interview guide
  20. A3 Team pulse survey
  21. A4 Data request
Hella · The Compounding Workbook2
The Compounding WorkbookSummary

The answer, on one page

One euro in eight of last year's €6m built something you still use, and the same eighth gives people something to pass on. The rest was rent.

Owned share, and our target12% → 25%
Owned today12%
Target, with word-of-mouth potential25%
Same budget. The target counts only what is kept and worth passing on. Worksheets 1.3 and 1.4.
Kept, and worth passing on2 of 8lines are both: the documentary and the DJ workshops, €750k. The tour has the potential but isn't kept yet. Word-of-mouth potential is a test for what to keep, judged in the diagnostic, not a number we measure. Worksheet 1.4.
How much we think you could save€1.46mOver four years, about half, by keeping the summer tour instead of rebuilding it. Year one costs the same as today. The tour is our recommended first format; the case is in 3.3 and 3.4.
What's in the way
MeasurementReports only count what happens while the money is spent.
PermissionGood ideas need too many sign-offs. Directors feel Permission far more than leadership does.
Your moves, by floor Start at the shop floor and work down, in number order. Worksheet 3.1
1Shop floor
1Rights clause in the agency contract2Measure what lasts after the spend3Exploit the content archive4Keep the same ambassadors
2Department
6The summer tour, built to keep7Move the edit in-house
3Leadership
5Decision rights for the tour team8Move one festival sponsorship10Innovation brief: a winter format
4Board
9A quarterly ledger reading–Formats others pay for
Hella · The Compounding Workbook3
The Compounding WorkbookHow we counted

How we got to these numbers

Eight weeks, four workstreams, and four rules agreed with your finance team in week one. Every number in this workbook follows them.

  1. Spend

    Twelve months of brand and marketing spend from your invoices, line by line.

    Part 1
  2. Rent or own

    Every line scored on five yes-or-no tests: what did it leave behind?

    Worksheet 1.2
  3. People

    Six leadership interviews and fourteen director surveys, scored against six blockers.

    Part 2
  4. Model

    What owning the tour would cost against rebuilding it, from real quotes.

    Worksheet 3.4
The rules behind every number
  1. Real prices only. What rebuilding would cost comes from actual invoices or real quotes. Estimates are logged but never counted.
  2. A signed baseline. The baseline is the twelve months to [month, year]. What counts as kept is defined in Worksheet 1.2.
  3. Assets wear out. Every kept asset gets a useful life. Anything unused for two quarters, or past its life, is flagged and stops counting.
  4. Word of mouth is designed in, not measured by us. We judge each line's potential to be passed on (Worksheet 1.4) and use it to decide what to keep. Whether people actually pass it on is for your own brand research, or an independent agency, to read. It is never part of the saving.

Agreed with your finance team in week 1 and signed off by your CFO in week 8. The same rules run the ledger from here (A1).

Hella · The Compounding Workbook4
Part 1. Your ratioWorksheet 1.1

Your initiatives

Every line of brand and marketing spend in the last twelve months, what it cost, and how it was measured.

#InitiativeBudgetOwnerHow we measure itWhat that told us
1Always-on paid social€1,800kPerformance leadROAS, CPA3.4x ROAS in flight
2Creative agency retainer€900kBrand directorOutput deliveredOn time, on brief
3Festival sponsorships (3)€600kPartnershipsReach, footfall1.1m reach
4Summer pop-up tour (6 stops)€740kEvents leadFootfall, sales18k visitors
5Ambassador programme€710kBrand leadPosts, reach42 posts
6Collaboration drops (3)€500kProduct marketingSell-through92% sell-through
7Documentary series€450kContent leadViews1.4m views
8DJ workshops€300kCommunity leadAttendance2,100 attendees
Total€6,000k
Key insight
7 of 8

lines, €5.7m of the €6m, are judged only on what happened while the money was being spent: reach, ROAS, views, posts.

1 of 8

Only the DJ workshops are judged on whether people came back. None is judged on whether it gives people something to pass on.

So

Your reports can't tell money that built something from money that's gone. At budget time, the things worth keeping are the first to be cut.

Hella · The Compounding Workbook5
Part 1. Your ratioWorksheet 1.2

Rent or own?

An initiative counts as owned if it leaves behind something measurable that the business keeps and can use again, judged by the rules agreed with your finance team (page 4). Five questions, yes or no.

A
Owned. Did it leave infrastructure we own?
B
Reusable. Could we use it again for less?
C
Lasting. Is it still working now the spend has stopped?
D
Learning stays. Did the know-how stay with us?
E
Hard to copy. Would a competitor struggle to buy it tomorrow?
#InitiativeABCDEYesVerdictRecommendation
1Always-on paid social0RentKeep, but buy it on purpose
2Creative agency retainer1RentBring the edit in-house
3Festival sponsorships (3)1RentDrop one, build your own
4Summer pop-up tour (6 stops)3Part-ownedYes: the first format
5Ambassador programme3Part-ownedOwn the content rights
6Collaboration drops (3)2Part-ownedMake it a programme
7Documentary series4OwnBring the edit in-house
8DJ workshops4OwnScale it

4 or 5 yes is own. 2 or 3 is part-owned, usually the easiest place to gain. 0 or 1 is rent, which isn't a failure if you chose it on purpose.

Hella · The Compounding Workbook6
Part 1. Your ratioWorksheet 1.3

The ratio

Last year's budget, added up by verdict.

12%Own€750k32%Part-owned€1,950k55%Rent€3,300k
VerdictInitiativesBudgetShare
Own2€750k12.5%
Part-owned3€1,950k32.5%
Rent3€3,300k55.0%
Total8€6,000k100%
At kickoff: what's still working, and what did anyone tell a friend about?

The documentary. The DJ workshops. The summer tour. The same list, both times.

What the tests say

Two of three were right. The tour feels like an asset, but it's rebuilt by an agency every year, so nothing is kept.

Your current share clearly owned12%
Our recommended share for next year
(with word-of-mouth potential)
25%
Hella · The Compounding Workbook7
Part 1. Your ratioWorksheet 1.4

Kept, and worth passing on

A line of spend earns its place twice: once if you keep what it built, and again if people pass it on. Only two of your eight lines do both.

Kept: five questions
  1. ADid it leave infrastructure we own?
  2. BCould we use it again for less than it cost?
  3. CIs it still working now the spend has stopped?
  4. DDid the know-how stay with us, not the agency?
  5. EWould a competitor struggle to buy it tomorrow?

4 or 5 yes answers: kept.

Worth passing on: three questions, our judgement
  1. FDid it do something your key subcultures hadn't seen before?
  2. GCan people name it, and come back with a friend?
  3. HDoes it put the people those subcultures listen to at its centre: artists, hosts, makers?

2 or 3 yes answers: worth passing on.

#InitiativeBudgetKept, of 5Passing on, of 3Where it sits
7Documentary series€450k43Both
8DJ workshops€300k42Both
4Summer pop-up tour (6 stops)€740k32Potential, not kept
6Collaboration drops (3)€500k22Potential, not kept
5Ambassador programme€710k31Neither
3Festival sponsorships (3)€600k10Neither
2Creative agency retainer€900k10Neither
1Always-on paid social€1,800k00Neither
Potential, not keptBoth: a formatNeitherKept, but quiet0123450123Kept: yes answers to questions A to E, out of 5Circles sized by budgetWorth passing on: F to H, out of 312453678
One euro in eight does both: the documentary and the DJ workshops, €750k. The tour and the drops have the potential, but nothing is kept, so they start from zero every year. That is the gain.
Hella · The Compounding Workbook8
Part 2. What's in the wayWorksheet 2.1

The blocker scores

Six statements, scored from 1 (not true at all) to 5 (painfully true). Six leaders scored them in interview, and fourteen directors in the team pulse survey.

The outcome.
  • Leadership and directors agree: Measurement is the biggest blocker.
  • Directors score Permission 1.2 points higher than leadership does.
  • The people closest to the work feel the sign-off chain far more than the people at the top of it.
12345FramePermissionCapabilityMeasurementProofRituals
Leadership, average of 6Directors, average of 144 or more is an active blocker
Frame
No shared view of what the brand stands for, or would never do.
Permission
Too many sign-offs between a good idea and a yes.
Capability
The know-how sits with agencies, not in the business.
Measurement
Reports only count what happens while the money is spent.
Proof
No example inside the business that it works here.
Rituals
Briefs, reviews and rewards that pull people back to the old way.
Hella · The Compounding Workbook9
Part 2. What's in the wayWorksheet 2.2

What we heard

Patterns from 20 conversations and the survey comments. Quotes are anonymised and stand for a view held by several people.

Measurement

The documentary is the thing people mention most, but it's the hardest line to defend in the budget round.

"Everyone loves the series. Nobody can tell me what it's worth."

Permission

A tour stop needs five sign-offs, even when it repeats last year's plan. Lead time is eleven weeks.

"We re-approve the same thing every summer."

Capability

The agency holds the tour's build files, supplier list and venue contacts.

"If they walked, we'd start from zero."

Rituals

Bonuses are set on in-quarter sales and reach. Nothing rewards an asset that pays back next year.

"Why would I build something someone else gets credit for?"

Hella · The Compounding Workbook10
Part 3. Where to startWorksheet 3.1

Your moves, by floor

Not every move needs you. Some are for the team and take weeks; a few need you and the board. The numbers show the order we'd go in: start small and cheap, prove it works, then go bigger.

4BoardMulti-yearDecided by the board
9Board reportingA quarterly ledger reading

Owned share, cost avoided and price held, read beside the P&L every quarter.

Removes: Measurement
–The long gameFormats others pay for

Named, not committed. Back on the table once core sales and profit targets are met.

Parked
3LeadershipAbout a yearDecided by CEO and CFO
5Operating changeDecision rights for the tour team

One team can run the tour without going up the chain for every stop.

Removes: Permission
8Budget reallocationMove one festival sponsorship

€200k from a logo on someone else's stage into the tour and the DJ workshops.

Removes: Frame
10Innovation briefA winter format from the DJ workshops

Brief a second format built on the community you already have.

Removes: Proof
2DepartmentA quarter or twoDecided by the CMO
6Focus formatThe summer tour, built to keep

Six stops, one build, a returning DJ roster. Worksheet 3.3 has the detail.

Removes: Proof
7Bring it inMove the edit in-house

One editor and the agency's templates, so the know-how stays.

Removes: Capability
1Shop floorWeeksDecided by the team
1OwnershipA rights clause in the agency contract

Footage and build files stay with you from the next brief.

Removes: Capability
2KPIsMeasure what lasts after the spend

Give every line of spend one number for what it is still doing once the money stops, such as return visits or repeat buyers.

Removes: Measurement
3ActivateExploit the content archive

A repeatable format, such as a social series, built from footage you have already paid for.

Removes: Proof
4AdjustKeep the same ambassadors

Ten creators on the roster instead of 42 one-off posts.

Removes: Rituals

We only fill the floors your blockers point to. An empty floor is a finding too.

Hella · The Compounding Workbook11
Part 3. Where to startWorksheet 3.2

Candidates for your first owned format

Three things you already pay to rebuild every year that could be built once, owned and run again. Word-of-mouth potential is a gate: anything scoring under 3 isn't worth keeping, however much it saves.

CandidateAlready spendingRepeatableCredible in the sceneSavings potentialTeam readyWord-of-mouth potentialTotal
Summer pop-up tour25
Collaboration programme23
DJ workshops, scaled22
Why we recommend the tour. It's the biggest line you rebuild every year, so it saves the most. It's also repeatable by design. Team readiness is the weak score, which is why move 5 starts with naming a lead and bringing the build files in-house. Its word-of-mouth potential only just passes the gate, because it changes name every year; a fixed name is the cheapest fix.
Also worth a discussion: the collaboration programme. It is just as credible and offers more savings than the DJ workshops, and scores highest on word-of-mouth potential. We would make it the second format once the tour is running, but there is a case for running it first if credibility matters more to you than savings this year.
Hella · The Compounding Workbook12
Part 3. Where to startWorksheet 3.3

Our recommended first format

The summer pop-up tour, designed to be kept.

The idea

A named tour with fixed rules: six cities, one shared build, local DJs from the workshops at every stop. The same name to encourage WOM.

Kept: the rightsNext: license the tour to a partner city or brand.
The people

The DJs and creators from the workshops, booked as a returning roster.

Kept: the relationshipsNext: a ready roster for every future stop.
The know-how

Build files, suppliers and the run-of-show brought in-house from the agency.

Kept: the capabilityNext: run a second format without an agency.
The audience

Sign-ups at every stop, so people can be invited back next year, and bring someone.

Kept: the communityNext: build CRM, sell directly, ticket future stops.
The output

Footage and stories from every stop, cleared for reuse across channels.

Kept: the libraryNext: a year-round content library for every channel.
Owner

Events lead, reporting to the CMO

Target break-even

End of year one, at stop 6. Every stop after that costs less than rebuilding

Conditions for stopping

Cost per stop not falling by stop 6, or sign-ups under 3,000

Hella · The Compounding Workbook13
Part 3. Where to startWorksheet 3.4

The case for the tour, in numbers

Keeping the tour costs the same as rebuilding it in year one, breaks even at stop 6, and runs about 60% cheaper from year two. €1.46m saved over four years.

€0k€200k€400k€600k€800k€740k€740kYear 1€740k€296kYear 2€740k€247kYear 3€740k€222kYear 4
Rebuilt by an agency, as todayKept
RebuiltKeptSaving
Year 1€740k€740k€0
Year 2€740k€296k€444k
Year 3€740k€247k€493k
Year 4€740k€222k€518k
Four years€2.96m€1.5m€1.46m

Assumptions: six stops a year, €740k when rebuilt, from last year's invoices. Kept: the same €740k in year one to own the build and bring the files in-house, then €296k in year two, falling as the team learns. Income from sponsors or tickets is not counted, and nor is word of mouth: it is designed into the format (3.3), not measured by us. Year one is about savings.

If you build it with Hella. A fixed fee for the build, then a share of this saving, measured from real invoices against the baseline your CFO signed. If the saving doesn't arrive, we don't share in it.
Hella · The Compounding Workbook14
Part 4. Recommended next stepsPart 4

Recommended next steps

The first 90 days end with the first format ready to run and measured from day one.

The decision, week 9
WhenWhatWho
Week 8Sign off the baseline and the rules on page 4, first agreed in week 1. The diagnostic closes on numbers finance stands behindCFO
Week 9Decide: build with Hella, build it yourselves, or pauseCEO, CMO
Week 9Name the tour lead and give them the decision rights (move 5 on page 11)CMO
Week 9Add a rights clause to the agency contract before the next briefCMO
Week 10Bring the tour build files, suppliers and contacts in-houseEvents lead
Week 10Set up the ledger and log the tour as the first owned assetFinance partner
Week 10Give every line of spend a measure of what lasts after the money stopsFinance partner
Week 11Agree stop dates, the returning DJ roster and the tour's permanent nameTour lead
Week 11Secure the rights to all of the archive footage. Lock the ambassador roster for the yearContent and brand leads
Week 12Plan stop one. First ledger reading booked for the end of the quarterTour lead, Hella
Three questions for your next planning cycle
  1. What's one asset we could build this year that we'd still be using in three years, and that people would tell a friend about?
  2. Which blocker, if removed, would free the most budget to move from rent to own?
  3. What would finance need to see, at the first ledger reading, to back the next format?
Hella · The Compounding Workbook15
The Compounding Workbook

Appendix

How we got here, and the tools that keep score from here.

  1. A1 The ledger
  2. A2 Leadership interview guide
  3. A3 Team pulse survey
  4. A4 Data request
Hella · The Compounding Workbook16
Appendix. How we got hereA1

The ledger

The diagnostic baseline was a one-off snapshot of your whole marketing budget. The ledger keeps score from here: set up in week 10, it covers the whole marketing function, starts with the tour as its first owned asset, and is read against the baseline every quarter.

TabWhat goes inWho updates it
SettingsBaseline, revenue, the rules on page 4Finance partner, once
Owned assetsEvery asset you build: first cost, useful lifeFormat lead
Reuse logEvery time an asset is used again, and what renting it would have costFormat lead
Earnings logAnything others pay for an asset. Usually empty in year oneFormat lead
Rented spendMedia, agency fees, sponsorships, and what each left behindFinance partner
Value builtPrice premium, branded acquisition cost, time from idea to yesFinance partner, quarterly
A sample row from the reuse log
DateAssetUseCost of useCost to rentPrice fromSaved
[Date]Summer tour buildStop 2€49,000€123,000Invoice€74,000
Hella · The Compounding Workbook17
Appendix. How we got hereA2

Leadership interview guide

45 minutes, one to one, confidential. Each answer is scored against the six blockers straight after the conversation.

Frame
  1. What would this brand never do?
  2. When did someone last make a call because they knew what the brand stood for?
Permission
  1. Walk me through the last idea that went from you to live. How many sign-offs?
  2. Which decisions could your team make that currently go up?
Capability
  1. What do your agencies know that you don't?
  2. If your biggest agency left tomorrow, what would you lose?
Measurement
  1. What work do you believe in but struggle to defend at budget time?
  2. Where has paid spend proved most valuable?
  3. What of ours do people tell their friends about, and why that one?
Proof
  1. Has long-term brand work ever visibly paid off here? What happened?
Rituals
  1. What gets people promoted in marketing here?
  2. What does a post-mortem look like, if there is one?
Hella · The Compounding Workbook18
Appendix. How we got hereA3

Team pulse survey

Sent to directors and heads of brand, marketing, creative and partnerships. Ten minutes, anonymous. The same six statements as the leadership interviews, so the two can be compared.

Statement1 not true, 5 painfully trueOne example from the last year
FrameIf you asked five senior people what our brand would never do, you'd get five different answers.12345
PermissionBrand decisions the team could make themselves usually go up the chain for sign-off.12345
CapabilityOur agencies know how to make our brand work better than we do.12345
MeasurementWork that builds long-term value is hard to defend in budget reviews, because our reports don't show it.12345
ProofPeople here agree with long-term brand investment in principle, but nobody has seen it pay off here.12345
RitualsOur briefs, reviews and promotion criteria reward short-term results over things that last.12345
Last question

If you could change one thing about how brand work gets approved here, what would it be?

Hella · The Compounding Workbook19
Appendix. How we got hereA4

Data request

What we asked for in week one. Ticked items were received.

Where the sources live. The full ledger, interview notes and raw survey results are in the shared folder. Interview notes are held by Hella and never shared with names attached.